Trump On-Broads-way
New Maga-Musicals Planned
In the same path as the popular Hamilton musical, two competing musicals are in the early planning and casting stage, one positive and one negative with the working titles respectively called Trump the Fearless Leader and Trump the Pussical.
Trump the Fearless Leader has been compared favorably to Charlie Chaplin’s The Dictator, not necessarily in a critical praise way. It has also been described as a serious parody of the black comedy of The Last Days of Stalin. A parody of a black comedy, as a double negative, means that the producers of Trump the Fearless Leader actually consider their production to be of Broadway quality. Written by AI chatbots located in North Korea, this salutary piece to Trump will highlight every “best of its kind,” with “everybody knows that” and brimming with too “much always winning.”
The audience reaction has to be interpreted, as there is typically one group clapping in praise and another group laughing in derision. So, it is a hit with the MAGA viewers (not in-person as NY is way too dangerous, but in the safety of their distant homes that have not had the promise of remote area wireless internet pulled in the DOGE cuts). The characters include his sons, his daughters and a host of puckered-up supporting characters, which are specific characters in the playbill but hard to tell the difference between them in the production.
Trump the Pussical, described as a “grabbing” rendition of a compilation of DJT’s greatest performances, most real and some satire, set to music as true Broadway musical. The majority of the production consists of a Trump monologue where the sole performer sits on stage in an orangutan costume and speed-reads every falsehood made by the Trump as President in a two-hour musical ordeal for the audience. On the positive side, there is an intermission for the audience to go to the toilets to vomit from an acute case of Deranged Trump Syndrome. The cast of supporting characters include three wives (one dead buried on a golf course as a tax dodge), a number of sexual assault victims and Jeffrey Epstein.
Common elements in both productions are the predominance of hand movements, of how the script flows from only a single character, of how the “the weave” informs the script as it bounces from subject to subject and then as a total compostion makes no sense at all. The major difference is that Trump the Pussical has a cameo appearance of Stormy Daniels and a golf-cheating scene.